{"id":6898,"date":"2020-11-03T08:21:41","date_gmt":"2020-11-03T07:21:41","guid":{"rendered":"http:\/\/52.30.207.235\/meeting-yuen-hsieh\/"},"modified":"2020-11-03T08:21:41","modified_gmt":"2020-11-03T07:21:41","slug":"meeting-yuen-hsieh","status":"publish","type":"post","link":"https:\/\/blog.footdistrict.com\/en\/meeting-yuen-hsieh\/","title":{"rendered":"Meeting Yuen Hsieh"},"content":{"rendered":"<p>Inside Yuen Hsieh\u2019s (<a href=\"https:\/\/www.instagram.com\/yuenhsieh\/\" target=\"_blank\" rel=\"noopener noreferrer\">@yuenhsieh<\/a>) universe coexist a cocktail of eccentric and futuristic elements, and the director revolves around them with so much ease that he could have been born in a capsule of neon lights, 22nd century technology and gabber music. The artist is capable of defining his own interior universe and of bringing it to life in the form of hypnotic images, with stories and shapes that capture us and make us feel part of a parallel reality where science fiction is more present than any routine.<\/p>\n<p>His aesthetic has already awoken the interest of clients such as <a href=\"https:\/\/footdistrict.com\/en\/mcq\/\" target=\"_blank\" rel=\"noopener noreferrer\">MCQ<\/a>, Dazed, Burberry or Team Wang, among others. We spoke with him about his work, his creative process and his vision of the current affairs.<\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-66255\" src=\"https:\/\/blog.footdistrict.com\/wp-content\/uploads\/magefan\/foot-district-yuen-hsieh-2.jpg\" alt=\"yuen hsieh\" width=\"1000\" height=\"1498\" \/><\/p>\n<p class=\"p1\"><b>Tell us about your creative process, from the beginning to the final result. <\/b><\/p>\n<p class=\"p3\"><span class=\"s1\">\u2606<\/span>Since most of the projects are pretty rush nowadays and it is significant for me to do research just like when I was study my MA back in London from Royal College Of Art. I will watch documentaries, film or go to parties according to the project to allow myself have a clear knowledge and authentic understanding of the subject or culture I am going to talk about.<\/p>\n<p class=\"p3\">I watch a lot of the video from Japanese\u2019s host culture when I was prepared the video for DAZED <span class=\"s2\">\u2661<\/span> <span class=\"s3\">????????<\/span> WITH ROLAND <span class=\"s2\">\u2661<\/span>. My friend and I spent 500000 \u00a5 at Kabukicho for research and experience the culture. But actually I was not having fun at all haha. The very next day I meet up with a consultant from Japanese Host culture who is familiar with and already being part of this industry for a while. We have a bit of chat and understanding about the rule of the industry and a bit of the secret under the table. I shoot a short experimental video immediately to test it out and send it to the team of what I and imagine for it.In this case I want to pay tribute to the video game \u201dYakuza\u201c. Later I draw storyboard myself and communicate my idea clearly to the team and they are ready for pre production and schedule everything.<span class=\"s1\">\u2606<\/span><\/p>\n<p><div class=\"video-shortcode\"><iframe title=\"\u2661 LOVELESS WITH ROLAND \u2661 \uff5c DAZED\" src=\"https:\/\/player.vimeo.com\/video\/391456440?h=1db9d855ed&amp;dnt=1&amp;app_id=122963\" width=\"1160\" height=\"653\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p class=\"p1\"><strong>Who are your references in the audiovisual world? <\/strong><\/p>\n<p class=\"p3\">Chris Cunningham.<\/p>\n<p class=\"p3\">&lt;(<span class=\"s1\">\uff40<\/span>^\u00b4)&gt;<\/p>\n<p class=\"p1\"><b>What inspires you aesthetically and emotionally? <\/b><\/p>\n<p class=\"p3\"><span class=\"s4\">\u0f4c\u0f00<\/span> The spirit of riot from Anime, Punk and Rave culture. A DIY process of everything to create your own twisted aesthetic as an artist. That\u2019s the most powerful thing for me. <span class=\"s4\">\u0f00<\/span> <span class=\"s4\">\u0f3b<\/span><\/p>\n<p><div class=\"video-shortcode\"><iframe title=\"YUEN HSIEH X MCQ \uff5c ARCADE\" src=\"https:\/\/player.vimeo.com\/video\/464244419?h=2cf668be71&amp;dnt=1&amp;app_id=122963\" width=\"1160\" height=\"653\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p class=\"p1\"><b>What opportunities does Shanghai or Taiwan offer?\u00a0 Is there a noticeable contrast between the audiovisual scene of Asia and that of here (Europe)?<\/b><\/p>\n<p class=\"p3\">*<span class=\"s1\">\u00b7\u3002<\/span>*<span class=\"s1\">\u00b7<\/span><span class=\"Apple-converted-space\">\u00a0 <\/span>The rising of China offer a lot of opportunities allow me to work with vicarious artists. Apart from work I could learn from the people I meet in Shanghai and bring up new collaboration too. This allow me to practice my profession and have a bit of time to establish my portfolio to be recognized. The underground culture and club scene in Taipei and Shanghai are the most influential elements within my work. There are two iconic club in Taipei and Shanghai are the best places to party with experimental, techno and most pioneer visual in Asia. It is <em>FINAL<\/em> Taipei and <em>All<\/em> Shanghai. *<span class=\"s1\">\u00b7\u3002<\/span>*<span class=\"s1\">\u00b7<\/span><\/p>\n<p class=\"p1\"><b>Publicity, fashion film, video clips, short film&#8230;\u00a0 In which terrain do you feel most comfortable?<\/b><\/p>\n<p class=\"p3\"><span class=\"s2\">\u2661<\/span> Fashion Film, Short Film, Music Video, actually anything allow me to express the authenticity of the culture. <span class=\"s2\">\u2661<\/span><\/p>\n<p><img decoding=\"async\" class=\"alignnone size-full wp-image-66256\" src=\"https:\/\/blog.footdistrict.com\/wp-content\/uploads\/magefan\/foot-district-yuen-hsieh-1.jpg\" alt=\"yuen hsieh 4 foot district\" width=\"1000\" height=\"714\" \/><\/p>\n<p class=\"p1\"><b>Your work reflects a very specific imaginary. Technology, futurism, youth, music&#8230; where does this obsession come from?<\/b><\/p>\n<p class=\"p3\"><span class=\"s2\">\u2661<\/span>I suppose I was very into party and music scene when I was in London but now I actually throw a party myself in Shanghai. I want to bring those raw energy, spirit and create community mixed with performance, visual, installation, sound and other senses. This is a way I could share not only visual with the communities and also my vision for the video and bring it back to reality as a party. It allow us to collaboration, exchange idea and through party.<\/p>\n<p class=\"p3\">My last party was at Tank Shanghai with some talent DJ in town. That place was actually an airport with bunch of old tank allow aircraft to refuel. It turn into a contemporary space for art and performance by the founder mr Jo. There are many artist performance and exhibit at Tank such as Ryoji Ikeda and Asian Dope Boys. We had few parties in other clubs such as <em>All<\/em>, <em>44KW<\/em>, secret industrial building and C\u2019S Bar. It is one of the notorious bar in town and it\u2019s also where \u201cSHIYA ENTERPRISE\u201d start its very first party. It used to be an underground shelter till 2000. It&#8217;s where many independent promoter and club owner meet with each other when they are teenagers. They have graffiti all over the wall and we have teaching, rave, gabber, Trance, hardcore and punk for each rooms allow you to explore and dance till morning.<span class=\"s2\">\u2661<\/span><\/p>\n<p><div class=\"video-shortcode\"><iframe title=\"YUEN HSIEH X LU YANG \uff5c NOWNESS\" src=\"https:\/\/player.vimeo.com\/video\/287976823?h=44d64c4231&amp;dnt=1&amp;app_id=122963\" width=\"1160\" height=\"653\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p class=\"p1\"><b>The Internet and technological advancement forecasts a dystopian future or endless opportunities? <\/b><\/p>\n<p class=\"p3\">*<span class=\"s5\">\u0329\u0329<\/span><span class=\"s6\">\u0359<\/span><span class=\"s7\">\u2729<\/span>\u00b7<span class=\"s6\">\u0359<\/span><span class=\"s5\">\u02da\u0329\u0325\u0329\u0325<\/span>. 2020 is endless opportunities in dystopian future. *<span class=\"s5\">\u0329\u0329<\/span><span class=\"s6\">\u0359<\/span><span class=\"s7\">\u2729<\/span>\u00b7<span class=\"s6\">\u0359<\/span><span class=\"s5\">\u02da\u0329\u0325\u0329\u0325<\/span>.<\/p>\n<p class=\"p1\"><b>The confinement, the pandemic and the coronavirus crisis have been for you a creative blockage or an opportunity to create?<\/b><\/p>\n<p class=\"p3\"><span class=\"s2\">\u2661<\/span> At the beginning of the epidemic, due to safety issues, I stayed in Taiwan for few months. In the beginning I was heavily drinking and dancing 247 <span class=\"s2\">\u266a\u266b<\/span>*\u2022<span class=\"s2\">\u266a<\/span> and then started to develop anxiety about my work. Later on, I began dieting and exercising. The adjustment \u2014 because it was impossible to actually shoot \u2014 seriously affected my work as a director, so I created a new 3D work <span class=\"s1\">\u2606<\/span> LEGENDS OF DYSTOPIASIAN <span class=\"s1\">\u2606<\/span> through the quarantine period. The rebellious mood is combined with mythical characters \u2014 Wukong, Nezha, and Mulan \u2014 in my virtual world, to contend with all kinds of absolute power. <span class=\"s2\">\u2661<\/span><\/p>\n<p><div class=\"video-shortcode\"><iframe title=\"LEGENDS OF DYSTOPIASIAN\" src=\"https:\/\/player.vimeo.com\/video\/377951754?h=269f537eaf&amp;dnt=1&amp;app_id=122963\" width=\"1160\" height=\"653\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe><\/div>\n<\/p>\n<p class=\"p1\"><b>If you could run a sneaker campaign, what model would you choose?\u00a0\u00a0<\/b><\/p>\n<p class=\"p3\"><span class=\"s7\">\u2727<\/span> Arca <span class=\"s7\">\u2727<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Inside Yuen Hsieh\u2019s (@yuenhsieh) universe coexist a cocktail of eccentric and futuristic elements, and the director revolves around them with so much ease that he could have been born in<\/p>\n","protected":false},"author":1,"featured_media":22221,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[58,22],"tags":[],"powerkit_post_featured":[4,7,5,6,8],"class_list":{"0":"post-6898","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-community","8":"category-comunidad"},"_links":{"self":[{"href":"https:\/\/blog.footdistrict.com\/en\/wp-json\/wp\/v2\/posts\/6898","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.footdistrict.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.footdistrict.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.footdistrict.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.footdistrict.com\/en\/wp-json\/wp\/v2\/comments?post=6898"}],"version-history":[{"count":0,"href":"https:\/\/blog.footdistrict.com\/en\/wp-json\/wp\/v2\/posts\/6898\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.footdistrict.com\/en\/wp-json\/wp\/v2\/media\/22221"}],"wp:attachment":[{"href":"https:\/\/blog.footdistrict.com\/en\/wp-json\/wp\/v2\/media?parent=6898"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.footdistrict.com\/en\/wp-json\/wp\/v2\/categories?post=6898"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.footdistrict.com\/en\/wp-json\/wp\/v2\/tags?post=6898"},{"taxonomy":"powerkit_post_featured","embeddable":true,"href":"https:\/\/blog.footdistrict.com\/en\/wp-json\/wp\/v2\/powerkit_post_featured?post=6898"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}